Ancient Japanese woodblock set

The final, 12-color print and one of the woodblocks from this incredible set.

As I’ve been exploring the world of hand-made printing techniques of various kinds, more and more I find myself looking at, investigating and writing about woodcuts. There’s a good reason for this, apparently!

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Chiaroscuro Woodcuts

As a rule I’ve stuck to just one-color linocuts mainly because my printing setup at the moment is fairly primitive. What I want to talk about here is going to be about woodcuts, but the same rules apply to linocuts and the process of pulling prints.

The main thing to solve when doing more than one color in a hand-pulled print, is getting the colors to line up. In any multi-color printing process, this is called “registration” and it applies to pretty much all color printing, whether it’s magazines, cereal boxes, or your inkjet printer. You know when you put a new ink cartridge in and you have to print out that one sample page? That’s so your printer can register the colors.

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