Research – Gerry Mooney Illustrating Dickens

My first book signing – Video!

I did my first book signing on Saturday May 3, and Katie Varner the owner at The Same Page bookstore, was nice enough (and tech-y enough!) to live stream it on Facebook. So I have a 33-minute video that, well, I found pretty hard to watch, so it took me awhile to trim it down to about eight minutes. It’s posted after the continuation below.

Now I’ve set my sights on expanding to bigger venues, and top of the list is Barnes & Noble, which has two stores in Tulsa. I visited both stores yesterday and the folks there couldn’t be nicer, but I found some small complications with the process as I imagined it.

Okay, It’s ON!

Well folks, I first want to thank you for stopping by to read my posts here. It’s been a labor of love even when it’s a struggle because this book and this project are something I believe in. I don’t think I would have stuck to all this if it weren’t!

So I would like to announce the following:
BLEAK HOUSE, by Charles Dickens and illustrated with 40 new linoleum prints by Gerry Mooney, is now available on Amazon at https://www.amazon.com/dp/B0DTG8DLCJ . Paperback, 650 pages, $30. I’m not planning an e-book edition.

PROOF!

I know I’ve been talking about getting a publisher, applying for a grant, finding an agent…well none of this is going to happen. For one thing, after approaching numerous agents and publishers, it finally sunk in that “illustrated novel” is no longer a thing, and hasn’t been for decades.

No one I approached, even those that liked the work, had any idea of how this particular project fits into any current publishing niche. I have no doubt the project has potential, I’ve known it for years, but convincing anyone who has the means to publish it to see it like I do is enough for even Sisyphus to give up and go back to his rock just to take a breather.

How “A Christmas Carol” Ends

Man, I really didn’t want to write this post. I had big plans, as I wrote about in my post of Sept. 10. Create a set of charming scenes from Charles Dickens’s holiday classic as three-color linoleum prints, and do it in time to sell them for this Christmas season in my Etsy shop, which I set up primarily to try selling some of my BLEAK HOUSE prints. Ambitious but doable, I thought.

It actually started out very well. I developed my sketches into imagery that I was very happy with. I enjoyed designing the lettering with a loose but classical sort of letterform, and of course thinking about and drawing the characters was a lot of fun. I was making good progress! The key factor was time, since I was starting maybe a little late for the holidays, due to the complexity and somewhat experimental nature of the project.

The Hard Work of Selling

The five years I spent creating the artwork for Dickens’ BLEAK HOUSE was not only a labor of love, but it was a process where, as I went along, I pretty much knew what I was doing, and if I didn’t, I knew the ways to figure it out.

Selling this project is another horse of a different color! I knew at the outset that an illustrated classic novel had no natural niche in the current publishing market, but I considered that fact against the marketability of Charles Dickens, and happy to say, Charles and I won.

So Step One was a smashing success. Step Two, a little trickier. I have some friends (or friends of friends) who are published writers, and I did ask one for “advice”, but the fact is, you’ll get the same advice in one form or another from everyone: Pick up a copy of The Writer’s Market and do the research. There are no shortcuts and no preformatted path to success, but this book has a wealth of information. You just have to be determined to dig for it.

Buying stamps

Since my original intent was to write about creating artwork, it suddenly seems odd to me now that the art creation is done that I still need to write about the whole process that led me here and that I am still pursuing, even though the way is not clear.

But it’s the task I set for myself, to document the whole process, warts and all. So I will tell you about buying stamps.

…And that was the easy part!

As you may know if you have visited my blog before, I’ve now completed a five-year project: illustrating Charles Dickens’ epic novel, BLEAK HOUSE. It was a task of love and devotion, heartbreak, missed connections, long nights, big dreams…and I think that may have been the easy part.

Finding a publisher (which mainly means finding an agent) is no easy task under the best circumstances. Agents have specialized areas of interest and it’s easy but arduous to look them up in the extremely helpful Writers Market. As far as I understand, agents break down into two main areas: literary agents, who assist in matching authors and publishers, and illustrator’s agents, who, due to the present genres in publishing, specialize mainly in children’s books, children’s book illustrators, graphic novels, matching up writers and artists, and putting them together with publishers.

“The Last Picture” Show

As promised in my previous post, I’ve completed a “making of” video of the final large illustration for my BLEAK HOUSE project. It’s not the last chronologically in the book, just the last one to get to. In fact there are two more small, or “spot” illustrations still to do, and those I can do in a few days or a week at most.

The larger ones take more time to work out a more elaborate composition, and can take a month. Shooting a video while doing this work adds a great deal to to process, and of course cutting and editing a video can be time consuming, but I hope the results are worth your time.

A “making of” video in the works

Hi folks, I know it’s been awhile since I’ve posted, and the last post was about a rare but serious creative block. The thing about blocks is, eventually, they just go away and you start plowing back into it.

I’ve been working on this BLEAK HOUSE illustration project non-stop since Spring of 2019. Enormous and all-consuming as it is, I’ve never lost the spark that has moved me so in this sprawling work.

Four New Spots

As work proceeds at what sometimes seems like a glacial pace, I would like to present these four recently-completed small illustrations. I’ve strived to provide some context for each with excerpts from the book.

It may seem like there are some spoilers here, but BLEAK HOUSE is so jam-packed with catastrophic plot twists that you’ll forget all about these once you’re reading the book!

VOLUMNIA FINDS LORD DEDLOCK

Here, Lord Dedlock’s flighty cousin Volumnia, a fairly minor character, stumbles upon his prostrate body in the dark.

The Dedlock town house changes not externally, and hours pass before its exalted dullness is disturbed within. But Volumnia the fair, being subject to the prevalent complaint of boredom and finding that disorder attacking her spirits with some virulence, ventures at length to repair to the library for change of scene. Her gentle tapping at the door producing no response, she opens it and peeps in; seeing no one there, takes possession.